Dawn Ades is Professor Emerita at the University of Essex. Her publications include Dada and Surrealism (1974), Photomontage (1976), Salvador Dali (1982), Andre Masson (1994), Marcel Duchamp (with Neil Cox and David Hopkins, 1999), Surrealism in Latin America: Vivisimo muerto (with Rita Eder and Gabriela Speranza) (2012). She has curated or co-curated many major exhibitions on surrealism and linked themes. Author affiliation details are correct at time of print publication.
Krzysztof Fijalkowski is Professor of Visual Culture at Norwich University of the Arts, UK, and has published widely on international surrealism. As an artist and writer, he has also participated in the activities of contemporary surrealist groups. Author affiliation details are correct at time of print publication.
Steven Harris is associate professor in the History of Art, Design and Visual Culture programme at the University of Alberta in Edmonton, Canada. He writes on surrealism and related phenomena. Author affiliation details are correct at time of print publication.
A writer with a doctorate in philosophy, Georges Sebbag participated in the activities of the surrealist group in Paris from 1964 to 1969. He has written texts on time and many books about surrealism. His most recent are Potence avec paratonnerre, Surréalisme et philosophie (2012) and Foucault Deleuze, Nouvelles Impressions du Surréalisme (2015). Author affiliation details are correct at time of print publication.
...The idea of revolution has a prominent place in the history of surrealism. The movement’s very first journal, which began in 1924, was titled La Révolution surréaliste. This ‘revolution’ was, however, complex. It did not simply mean...
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